Ready To Die
Ready To Die
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Ready to Die
Ready to Die is the debut studio album by American rapper The Notorious B.I.G.; it was released on September 13, 1994, by Bad Boy Records. The label's

View Wikipedia Article

For other uses, see Ready to Die (disambiguation). Ready to Die Studio album by The Notorious B.I.G. Released September 13, 1994 Recorded 1993–94 Studio
  • The Hit Factory
  • D&D Studios, New York City
  • East Coast hip hop
  • hardcore hip hop
Length 69:05 Label Bad Boy Records/Arista Producer
  • Mr. Cee (Associate exec.)
  • Bluez Brothers
  • Sean "Puffy" Combs (also exec.)
  • DJ Premier
  • Easy Mo Bee
  • Lord Finesse
  • Poke
  • Darnell Scott
  • Chucky Thompson
The Notorious B.I.G. chronology Ready to Die
(1994) Life After Death
(1997)Life After Death1997 Singles from Ready to Die
  1. "Juicy"
    Released: August 8, 1994
  2. "Big Poppa"
    Released: December 24, 1994
  3. "Warning"
    Released: February 1995
  4. "One More Chance"
    Released: June 3, 1995

Ready to Die is the debut studio album by American rapper The Notorious B.I.G.; it was released on September 13, 1994, by Bad Boy Records. The label's first release, the album features production by Bad Boy founder Sean "Puffy" Combs, Easy Mo Bee, Chucky Thompson, DJ Premier and Lord Finesse, among others. Recording for the album took place during 1993-94 at The Hit Factory and D&D Studios in New York City. The partly autobiographical album tells the story of B.I.G.'s experiences as a young criminal. Ready to Die was the only studio album released during his life, as he was murdered sixteen days prior to the release of his second album, Life After Death in 1997.

Ready to Die was released to critical acclaim and became a commercial success, achieving Gold certification. In 1995, after the album's release, the album became a certified double platinum by the Recording Industry Association of America (RIAA), and the album has reached a certified quadruple platinum with sales. It was significant for revitalizing the East Coast hip hop scene, amid West Coast hip hop's commercial dominance. The album's second single, "Big Poppa", was nominated for a Grammy Award for Best Rap Solo Performance at the 1996 Grammy Awards. Ready to Die has been regarded by many music critics as one of the greatest hip-hop albums of all time, as well as one of the best albums of the 1990s.

  • 1 Background and recording
    • 1.1 Lawsuits and sample removal
  • 2 Composition
    • 2.1 Production
    • 2.2 Lyrical themes
  • 3 Singles
  • 4 Critical reception
    • 4.1 Retrospect
    • 4.2 Accolades
  • 5 Commercial performance
  • 6 Track listing
    • 6.1 Sample credits
  • 7 Personnel
  • 8 Charts and certifications
    • 8.1 Weekly charts
    • 8.2 Certifications
  • 9 See also
  • 10 References
  • 11 External links

Background and recording

The album was recorded in New York City (mainly at The Hit Factory) in two stages between 1993 and 1994. In 1994, Biggie was 21 years old going on 22 when he recorded the album. In 1993, Biggie was signed to the Uptown Records label by A&R Sean "Puffy" Combs. Biggie started recording his debut album in New York, after making numerous guest appearances among his label-mates' singles during the previous year. The first tracks recorded include the album's darker, less radio-friendly content (including "Ready to Die," "Gimme the Loot" and "Things Done Changed"). In these sessions, XXL magazine describe an "inexperienced, higher-pitched" Biggie sounding "hungry and paranoid".

When executive producer Sean "Puffy" Combs was fired from Uptown, Biggie's career hung in limbo, as the album was only partially completed. After a brief period dealing drugs in North Carolina, Biggie returned to the studio the following year on Combs' new Bad Boy Records label possessing "a smoother, more confident vocal tone" and completed the album. In this stage, the more commercial-sounding tracks of the album were recorded, including the album's singles. Between the two stages, XXL writes that Biggie moved from writing his lyrics in notebooks to freestyling them from memory.

The album was released with a cover depicting an infant resembling the artist, though sporting an afro, which pertains to the album's concept of the artist's life from birth to his death. It has been listed as among the best album covers in hip hop.

Lawsuits and sample removal

On March 24, 2006, Bridgeport Music and Westbound Records won a federal lawsuit against Bad Boy Records for copyright infringement, with a jury deciding that Combs and Bad Boy had illegally used samples for the production of the songs "Ready to Die", "Machine Gun Funk", and "Gimme the Loot". The jury awarded $4.2 million in punitive and direct damages to the two plaintiffs, and federal judge Todd Campbell enacted an immediate sales ban on the album and tracks in question. On appeal, the Sixth Circuit found the damages unconstitutionally high and in violation of due process and remanded the case, at which point Campbell reduced them by $2.8 million; however, the verdict was upheld. All versions of the album released since the lawsuit are without the disputed samples.

Although a fair use issue, Combs and Bad Boy never raised the legal concept of the fair use doctrine in their defense. This decision was questioned by some legal experts: Anthony Falzone of the Fair Use Project at Stanford Law School criticized Combs and Bad Boy for not defending the legality of sampling and suggested that they might have refused to raise such a defense because they feared it could later imperil their control over their own music.

On April 2, 2014, Lee Hutson of The Impressions filed a multimillion-dollar copyright infringement suit against Combs, Bad Boy Records, and the estate of the late Notorious B.I.G. for copyright infringement, alleging that his song "Can't Say Enough About Mom" was illegally sampled in the production of the song "The What". The estate countersued in turn, claiming the sample as used was short, adapted, and supplemented, and thus subject to fair use, a legal tactic not pursued previously.

Composition Production

The production on the album was mainly handled by Easy Mo Bee and The Hitmen. Cheo H. Coker of Rolling Stone depicted the beats as "heavy bottomed and slick, but B.I.G.'s rhymes are the showstoppers. The tracks only enhance them, whether it's the live bass driving a menacing undercurrent or use of bluesy guitar and wah-wah feedback" and that the production is used to "push the rapper to new heights." The production is mainly sample-based with the samples varying from the percussion of funk tracks to the vocals of hip hop songs. Steve Huey presented some criticism over the beats, stating that the "deliberate beats do get a little samey, but it hardly matters: this is Biggie's show".

Lyrical themes

The Notorious B.I.G.'s lyrics on the album were generally praised by critics. Many critics applauded his story-telling ability such as AllMusic writer Steve Huey, who stated "His raps are easy to understand, but his skills are hardly lacking — he has a loose, easy flow and a talent for piling multiple rhymes on top of one another in quick succession". He also went on to mention that his lyrics are "firmly rooted in reality, but play like scene from a movie". Touré, writing for The New York Times, referred to The Notorious B.I.G., proclaiming that he stood out from other rappers because "his lyrics mix autobiographical details about crime and violence with emotional honesty, telling how he felt while making a living as a drug dealer". The album is also noted for its dark tone and sinister sense of depression. In the original Rolling Stone review, Cheo H Coker declared that he "maintains a consistent level of tension by juxtaposing emotional highs and lows". "Things Done Changed" was also one of the few hip hop songs in The Norton Anthology of African American Literature.

The lyrics on Ready to Die tend to deal with violence, drug dealing, women, alcohol and marijuana use, and other elements of Notorious B.I.G.'s environment. He rapped about these topics in "clear, sparse terms, allowing the lyrics to hit the first time you hear them". The album contains a loose concept starting out with an intro that details his birth, his early childhood, his adolescence and his life at the point of the album's release. Songs on the album range from homicide narratives ("Warning") to braggadocios battle raps ("The What," "Unbelievable"). The final song was "Suicidal Thoughts", a song where The Notorious B.I.G. contemplates and finally commits suicide.

Singles "Juicy" The album's lead single is a rags to riches narrative, with music that samples Mtume's 1982 song "Juicy Fruit". Problems playing this file? See media help.

Three singles were released from the album: "Juicy", "Big Poppa", "One More Chance" and a promotional track of Biggie: "Warning". According to XXL the more commercial sound of the singles compared to the rest of the album was a result of encouragement by Combs during the later recording sessions in which they were recorded.

"Juicy" was released as the lead single on August 8, 1994. It peaked at number 27 on the Billboard Hot 100, number 14 on Hot R&B/Hip-Hop Singles & Tracks and reached number 3 on the Hot Rap Singles. It shipped 500,000 copies in the United States and the RIAA certified it Gold on November 16, 1994. Produced by Combs, it features a prominent sample of "Juicy Fruit" as performed by James Mtume. AllMusic's Steve Huey stated that, along with the other singles, it was an "upbeat, commercial moment", calling it a "rags-to-riches chronicle". Andrew Kameka, of, stated that the song was one of his "greatest and most-revealing songs" and went on to say it was a "Part-autobiography, part-declaration-of-success. It document the star's transition from Brooklyn knucklehead to magazine cover story." Producer Pete Rock, who was commissioned to remix the track, alleged that Puffy stole the idea for the original song's beat after hearing it from him during a visit. Rock explained this in an interview with Wax Poetics:

I did the original version, didn't get credit for it. They came to my house, heard the beat going on the drum machine, it's the same story. You come downstairs at my crib, you hear music. He heard that shit and the next thing you know it comes out. They had me do a remix, but I tell people, and I will fight it to the end, that I did the original version of that. I'm not mad at anybody, I just want the correct credit.

"Big Poppa" was released as the second single on February 20, 1995 and like the previous single, it was a hit on multiple charts. It reached number six on the Billboard Hot 100, number four on the Hot R&B/Hip-Hop Singles & Tracks and number one on Hot Rap Singles. It sold over a million units and the RIAA certified it Platinum on May 23, 1995. Featuring production by Combs and Chucky Thompson of The Hitmen, it samples "Between the Sheets" by The Isley Brothers. The song was nominated at the 1996 Grammy Awards for Best Rap Solo Performance, but lost to Coolio's "Gangsta's Paradise". Steve Huey named it an "overweight-lover anthem".

"One More Chance" was released as the third single on June 9, 1995. The single was a remix of the album track. It was produced by Combs and featured a sample from DeBarge's "Stay With Me". It peaked at number two on the Billboard Hot 100 and reached number one on the Hot R&B/Hip-Hop Singles & Tracks and Hot Rap Singles. It sold over a million copies and the RIAA certified it Platinum on July 31, 1995. Steve Huey labeled it a "graphic sex rap". Rolling Stone writer Cheo H. Coker had a similar view of the song, noting that it was "one of the bawdiest sex raps since Kool G Rap's classic, "Talk Like Sex" and continued, stating it "proves hilarious simply because of B.I.G.'s Dolemitelike vulgarity."

Critical reception Professional ratings Review scores Source Rating AllMusic Blender Christgau's Consumer Guide A− HipHopDX 5/5 Pitchfork 10/10 Q Rolling Stone The Rolling Stone Album Guide The Source 4.5/5 Uncut

Ready to Die received critical acclaim from music critics. In his review for Rolling Stone, Cheo H. Cocker stated "Ready to Die is the strongest solo rap debut since Ice Cube's Amerikkka's Most Wanted. From the breathtakingly visual moments of his birth to his Cobainesque end in "Suicidal Thoughts," B.I.G. proves a captivating listen. It's difficult to get him out of your head once you sample what he has to offer". Robert Christgau from The Village Voice commented "His sex raps are erotic, his jokes are funny, and his music makes the thug life sound scary rather than luxuriously laid back. When he considers suicide, I not only take him at his word, I actively hope he finds another way". The New York Times wrote "Though drug dealing carries tremendous heroic value with some young urban dwellers, he sacrifices the figure's romantic potential. His raps acknowledge both the excitement of drug dealing and the stress caused by the threat from other dealers, robbers, the police and parents, sometimes one's own. In presenting the downside of that life, Ready to Die offers perhaps the most balanced and honest portrait of the dealer's life of any in hip-hop".

Q magazine gave Ready to Die three out of five stars, and stated "the natural rapping, clever use of sound effects and acted dialogue, and concept element (from a baby being born at the start to the fading heartbeat at the end) set this well apart from the average gangsta bragging". In their original review for Ready to Die, The Source gave it four-and-a-half out of five 'mics', stating "Big weaves tales like a cinematographer, each song is like another scene in his lifestyle. Overall, this package is complete: ridiculous beats, harmonizing honeys, ill sound effects, criminal scenarios, and familiar hooks".


In retrospect, Ready to Die has been highly acclaimed. In 1998, The Source included it on their 100 Best Rap Albums of All Time list, and in 2002, they re-rated it to the maximum five 'mics'. Rolling Stone has also given acclaim to Ready to Die over the years. In 2003, they ranked it number 133 on their 500 Greatest Albums of All Time list, and one year later, they re-rated it to five stars. In 2011, Rolling Stone also placed it at number eight on their 100 Best Albums of the Nineties list, and described it as "mapping out the sound of 'Nineties cool". Kilian Murphy from Stylus Magazine wrote favorably of the album in a retrospective review, and concluded "Sweet, hypocritical, sensitive, violent, depressed and jubilant; these words could all fittingly describe Big at various points on Ready to Die."

Steve Huey from AllMusic gave it five stars, stating "The album that reinvented East Coast rap for the gangsta age, Ready to Die made the Notorious B.I.G. a star. Today it's recognized as one of the greatest hardcore rap albums ever recorded, and that's mostly due to Biggie's skill as a storyteller". In 2006, Time magazine included it on their 100 Greatest Albums of All Time list, and stated "On Ready to Die, Wallace took his street corner experiences and filtered them through his considerable charm. The result was a record that mixed long stretches of menace with romance and lots of humor. No rapper ever made multi-syllabic rhymes sound as smooth". The album was also included in the book 1001 Albums You Must Hear Before You Die.

  • The information regarding accolades is adapted from,except where noted.
  • (*) signifies unordered lists
Publication Country Accolade Year Rank United States 100 Greatest Hip Hop Albums 2008 2 Best Rap Albums of 1994 2008 2 10 Essential Hip-Hop Albums 2008 3 Blender 500 CDs You Must Own Before You Die 2003 * Dance De Lux Spain The 25 Best Hip-Hop Records 2001 21 Robert Dimery United States 1001 Albums You Must Hear Before You Die 2005 * ego trip Hip Hop's 25 Greatest Albums by Year 1980–98 1999 2 Entertainment Weekly The 100 Best Albums from 1983 to 2008 2008 40 The Guardian United Kingdom 1000 Albums to Hear Before You Die 2007 * Mojo Mojo 1000, the Ultimate CD Buyers Guide 2001 * The Mojo Collection, 3rd and/or 4th Edition 2003 * Tom Moon United States 1000 Recordings to Hear Before You Die 2008 * MTV The Greatest Hip-Hop Albums of All Time 2005 4 MUZIQ France 200 Records for a Dream Collection 2007 * The New Nation United Kingdom Top 100 Albums by Black Artists 2005 8 Pause & Play United States Albums Inducted into a Time Capsule, One Album per Week * Pitchfork Top 100 Favorite Records of the 1990s 2003 32 Pure Pop Mexico Albums of the Year 1994 18 Q United Kingdom The Ultimate Music Collection 2005 * Rolling Stone United States The Essential Recordings of the 90s 1999 * The 500 Greatest Albums of All Time 2003 133 100 Best Albums of the Nineties 2011 8 Sounds United Kingdom The 50 Best Albums of the 1990s 2009 37 The Source United States The 100 Best Rap Albums of All Time 1998 * The Critics Top 100 Black Music Albums of All Time 2006 8 Spin Top 90 Albums of the 90s 1999 27 Top 100 (+5) Albums of the Last 20 Years 2005 30 The 125 Best Albums of the Past 25 Years 2010 43 Time Top 100 Albums of All Time 2006 * Vibe 100 Essential Albums of the 20th Century 1999 * 150 Albums That Define the Vibe Era (1992–2007) 2007 * Village Voice Albums of the Year 1994 38 VPRO Netherlands 299 Nominations of the Best Album of All Time 2006 * Commercial performance

The album shipped 57,000 units in its first week of release. However, it was then certified Gold by the RIAA only two months after its release on November 16, 1994, and was certified double Platinum on October 16, 1995, only a year and one month after its release. Ready to Die was then certified triple Platinum on August 26, 1998 and was later certified 4× Platinum by the RIAA on October 19, 1999.

Track listing No. Title Writer(s) Producer(s) Length 1. "Intro" Christopher Wallace, Sean Combs Sean "Puffy" Combs 3:24 2. "Things Done Changed" Wallace, Dominic Owen, Kevin Scott Darnell Scott 3:58 3. "Gimme the Loot" Wallace, Osten Harvey Easy Mo Bee 5:04 4. "Machine Gun Funk" Wallace, Harvey Easy Mo Bee 4:17 5. "Warning" Wallace, Harvey Easy Mo Bee 3:40 6. "Ready to Die" Wallace, Harvey Easy Mo Bee 4:24 7. "One More Chance" Wallace, Norm Glover, Reginald Ellis, Chucky Thompson, Combs Bluez Brothers, Chucky Thompson, Combs 4:43 8. "Fuck Me (Interlude)" Wallace, Combs Combs 1:31 9. "The What" (featuring Method Man) Wallace, Clifford Smith, Harvey Easy Mo Bee 3:57 10. "Juicy" Wallace, Peter Philips, Combs, Jean Oliver Poke, Combs (co.) 5:02 11. "Everyday Struggle" Wallace, Glover, Ellis Bluez Brothers 5:19 12. "Me & My Bitch" Wallace, Glover, Ellis, Thompson, Combs Bluez Brothers, Chucky Thompson, Combs 4:00 13. "Big Poppa" Wallace, Rudolph Isley, O'Kelly Isley, Jr., Ronald Isley, Ernest Isley, Marvin Isley, Chris Jasper Chucky Thompson, Combs (co.) 4:13 14. "Respect" Wallace, Diana King, Harry Casey Poke, Combs 5:21 15. "Friend of Mine" Wallace, Harvey Easy Mo Bee 3:28 16. "Unbelievable" Wallace, Christopher Martin DJ Premier 3:43 17. "Suicidal Thoughts" Wallace, Robert Hall Lord Finesse 2:50 Total length: 69:05 Remaster bonus tracks No. Title Writer(s) Producer(s) Length 18. "Who Shot Ya?" Wallace, Nashiem Myrick, Combs Nashiem Myrick, Combs (co.) 5:19 19. "Just Playing (Dreams)" Wallace, Rashad Smith Rashad Smith 2:43 Total length: 77:03


  • "Intro", "Fuck Me (Interlude)" and "Friend of Mine" contains additional vocals from Lil' Kim.
  • "One More Chance" and "Juicy" contains additional vocals from Total.
  • "Respect" contains backing vocals from Diana King.
  • "Me & My Bitch" contains additional vocals from Sybil Pennix.
Sample credits


  • "Superfly" performed by Curtis Mayfield
  • "Rapper's Delight" performed by Sugarhill Gang
  • "Top Billin'" performed by Audio Two
  • "Tha Shiznit" performed by Snoop Doggy Dogg

Things Done Changed

  • "California My Way" performed by The Main Ingredient
  • "Summer Breeze" performed by The Main Ingredient
  • "Vapors" performed by Biz Markie
  • "Lil Ghetto Boy" performed by Dr. Dre

Gimme the Loot

  • "Coldblooded" performed by James Brown
  • "Singing in the Morning" performed by Ohio Players (Removed following lawsuit.)
  • "Throw Ya Gunz" performed by Onyx
  • "What They Hittin' Foe?" performed by Ice Cube
  • "Just to Get a Rep" performed by Gang Starr
  • "Scenario (Remix)" performed by A Tribe Called Quest

Machine Gun Funk

  • "Something Extra" performed by Black Heat
  • "Up for the Down Stroke" performed by The Horny Horns (Removed following lawsuit.)
  • "Chief Rocka" performed by Lords of the Underground


  • "Walk on By" performed by Isaac Hayes

Ready to Die

  • "Hospital Prelude of Love Theme" performed by Willie Hutch
  • "Yes, I'm Ready" performed by Barbara Mason
  • "Ain't No Half Steppin'" performed by Big Daddy Kane
  • "Two to the Head" performed by Kool G Rap & DJ Polo
  • "Check It Out" performed by Grand Puba
  • "Singing in the Morning" performed by Ohio Players (Removed following lawsuit.)

One More Chance

  • "Hydra" performed by Grover Washington, Jr.
  • "Stay With Me" performed by Debarge

Fuck Me

  • "Feenin'" performed by Jodeci

The What

  • "Can't Say Enough About Mom" performed by Leroy Hutson
  • "Overnight Sensation" performed by Avalanche


  • "Juicy Fruit" performed by Mtume

Everyday Struggle

  • "Either Way" performed by Dave Grusin
  • "Don't Change Your Love" by The Five Stairsteps

Big Poppa

  • "Between the Sheets" performed by The Isley Brothers
  • "Dola My Baby" performed by Super Cat


  • "I Get Lifted" performed by KC & the Sunshine Band

Friend of Mine

  • "The Jam" performed by Graham Central Station
  • "Seventh Heaven" performed by Gwen Guthrie
  • "Vicious" performed by Black Mamba


  • "Impeach the President" performed by The Honey Drippers
  • "Kitty With the Bent Frame" performed by Quincy Jones
  • "Your Body's Callin'" performed by R. Kelly

Suicidal Thoughts

  • "Lonely Fire" performed by Miles Davis
  • "Outside Love" performed by Brethren

Who Shot Ya?

  • "I'm Afraid the Masquerade Is Over" performed by David Porter

Just Playing (Dreams)

  • "Blues and Pants" performed by James Brown
  • Notorious B.I.G. – writer, performer
  • Sean "Puffy" Combs – executive producer, additional vocals, producer
  • Mister Cee – associate executive producer
  • Method Man – featured performer
  • Lil' Kim – additional performer
  • Total – additional vocals
  • Chucky Thompson – instruments, producer
  • Nashiem Myrick – additional programming, producer
  • Diana King – additional vocals
  • Sybil Pennix – additional voice
  • Easy Mo Bee – producer
  • The Bluez Brothers – producer
  • Jean "Poke" Oliver – producer
  • DJ Premier – producer
  • Lord Finesse – producer
  • Darnall Scott – producer
  • Rashad Smith – producer
  • Bob "Bassy" Brockman – recording, mixing
  • Greg Pinto – recording, mixing
  • Rich Travali – recording, mixing
  • Mario Rodriquez – recording, mixing
  • Charles "Prince" Alexander – recording, mixing
  • Bill Esses – recording, mixing
  • John Wydrycs – recording
  • Norty Cotto – recording
  • Eddie Sancho – mixing
  • Butch Bel Air – photography
  • Gwendolyn Watts – A&R coordination
Charts and certifications Weekly charts Charts (1994) Peak
position French Albums (SNEP) 118 US Billboard 200 15 US Top R&B/Hip-Hop Albums (Billboard) 3 Certifications Region Certification Certified units/Sales United States (RIAA) 4× Platinum 4,000,000^

*sales figures based on certification alone
^shipments figures based on certification alone

See also
  • Bad Boy Records
  • East Coast hip hop
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  47. ^ "American album certifications – Notorious B.I.G. – Ready to Die". Recording Industry Association of America. Retrieved June 4, 2017.  If necessary, click Advanced, then click Format, then select Album, then click SEARCH
External links
  • Ready to Die at Discogs
  • The Making of Ready to Die by XXL
  • Next: The Notorious B.I.G. – By Vibe
  • v
  • t
  • e
The Notorious B.I.G.
  • Discography
  • Awards and nominations
  • Death
Studio albums
  • Ready to Die
  • Life After Death
Posthumous albums
  • Born Again
  • Duets: The Final Chapter
  • The King & I
  • Greatest Hits
  • Notorious: Original Motion Picture Soundtrack
  • "Party and Bullshit"
  • "Juicy"
  • "Big Poppa" / "Who Shot Ya?"
  • "One More Chance"
  • "Hypnotize"
  • "Mo Money Mo Problems"
  • "Sky's the Limit"
  • "Notorious B.I.G."
  • "Dead Wrong"
  • "Nasty Girl"
  • "Spit Your Game"
Featured singles
  • "Flava in Ya Ear (Remix)"
  • "Can't You See"
  • "The Points"
  • "Runnin' from tha Police"
  • "This Time Around"
  • "It's All About the Benjamins"
  • "Victory"
  • "Runnin' (Dying to Live)"
Other songs
  • "Going Back to Cali"
  • "Old Thing Back (Matoma Remix)"
Related articles
  • Bad Boy Entertainment
  • Sean Combs
  • Faith Evans
  • Junior M.A.F.I.A.
  • Conspiracy
  • "Player's Anthem"
  • "I Need You Tonight"
  • "Get Money"
  • Lil' Cease
  • Lil' Kim
  • East Coast-West Coast hip hop rivalry
  • "I'll Be Missing You"
  • Biggie & Tupac
  • Notorious

Ready to Die
Ready to Die

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The Notorious B.I.G. 'Ready to Die' Exclusive Splatter Colored 2XLP
The Notorious B.I.G. 'Ready to Die' Exclusive Splatter Colored 2XLP
Ready To Die has become a classic so canonized that all praise can't help but feel empty. No adjective or second-hand color scheme can capture the shadowplay of dark and light that Biggie creates line-by-line, a sociopathic threat followed by a Louis XIV boast or a novelistic detail that freezes your backbone. There's nothing Teflon about this album. Everything sticks to Big, every snaking fear and cancerous reality. He absorbs and internalizes it, spitting it back with fatalistic precision.

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Ready to Die (An Alvarez & Pescoli Novel)
Ready to Die (An Alvarez & Pescoli Novel)
NothingHis blood quickens as he stares at the photographs. Six faces, all guilty--and detectives Regan Pescoli and Selena Alvarez are at the top of his list. One by one, he'll stalk them, then he'll squeeze the trigger, savoring the way each lifeless body crumples to the reddening snow. One down already. And then there were five. . .Can Prepare YouSheriff Dan Grayson lies near death after a shooting, and the police department of Grizzly Falls, Montana, is in shock. Alvarez, torn between a new relationship and her loyalty to Grayson, works with Pescoli to whittle down the list of suspects. The deeper they go, the more personal and dangerous the case becomes. Then a prominent judge's body is found and the killer sends a sinister warning to the press: "Who's Next?"To Face A KillerPescoli isn't waiting to find out. Headstrong and eager for justice, she'll track the scant clues on her own if she has to. But her search leads her straight to a monster who has had her in his sights all along. And when hunter meets prey, both must be willing to kill--and ready to die. . .

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