Albert Camus
Albert Camus
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Albert Camus
Albert Camus (/kæˈmuː/; French: [albɛʁ kamy] ( listen); 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. His views contributed

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Albert CamusPortrait from New York World-Telegram and Sun Photograph Collection, 1957Born(1913-11-07)7 November 1913
Mondovi (present-day Dréan), French AlgeriaDied4 January 1960(1960-01-04) (aged 46)
Villeblevin, FranceCause of deathCar accidentAlma materUniversity of AlgiersNotable workThe Stranger
The Myth of Sisyphus
The Rebel
The PlagueEra20th-century philosophyRegionWestern philosophySchoolContinental philosophy
Absurdism
Existentialism
AnarchismMain interestsEthics, humanity, justice, politics, suicideNotable ideasAbsurdism Influences Influenced Signature

Albert Camus (/kæˈmuː/;[2] French:  ( listen); 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. His views contributed to the rise of the philosophy known as absurdism. He wrote in his essay The Rebel that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom. He won the Nobel Prize in Literature at the age of 44 in 1957, the second youngest recipient in history.[3]

Camus did not consider himself to be an existentialist despite usually being classified as a follower of it, even in his lifetime.[4] In a 1945 interview, Camus rejected any ideological associations: "No, I am not an existentialist. Sartre and I are always surprised to see our names linked."[5]

Camus was born in French Algeria to a Pied-Noir family and studied at the University of Algiers, from which he graduated in 1936. In 1949, Camus founded the Group for International Liaisons[6] to "denounce two ideologies found in both the USSR and the USA".[7]

Contents
  • 1 Life
    • 1.1 Early years
    • 1.2 Marriage
    • 1.3 Football
    • 1.4 Revolutionary Union Movement and Europe
    • 1.5 Death
  • 2 Literary career
  • 3 Algeria
  • 4 Philosophy
    • 4.1 Existentialism
    • 4.2 Absurdism
    • 4.3 Ideas on the Absurd
    • 4.4 The Myth of Sisyphus
    • 4.5 Views on totalitarianism
    • 4.6 Philhellenism, debts to Greek classical thought
  • 5 Works
    • 5.1 Novels
    • 5.2 Short stories
    • 5.3 Non-fiction books
    • 5.4 Plays
    • 5.5 Essays
    • 5.6 Collected essays
  • 6 References
  • 7 Further reading
    • 7.1 Selected biographies
  • 8 External links
Life Early years

Albert Camus was born on 7 November 1913 in Mondovi (present-day Dréan), in French Algeria.[8] His mother was Minorcan descent and could only hear out of her left ear.[9] His father, Lucien, a poor agricultural worker of Alsatian descent, was wounded in the Battle of the Marne in 1914 during World War I, while serving as a member of a Zouave infantry regiment. Lucien died from his wounds in a makeshift army hospital on 11 October.[10] Camus and his mother, an illiterate house cleaner, lived without many basic material possessions during his childhood in the Belcourt section of Algiers.

In 1923, Camus gained acceptance into the Lycée Bugeaud (fr) and eventually was admitted to the University of Algiers. After contracting tuberculosis in 1930, he had to end his football activities: he had been a goalkeeper for a prominent Algerian university team. In addition, he was only able to study part-time. To earn money, he took odd jobs: as a private tutor, car parts clerk, and assistant at the Meteorological Institute. He completed his licence de philosophie (BA) in 1936; in May 1936, he successfully presented his thesis on Plotinus, "Rapports de l'hellénisme et du christianisme à travers les oeuvres de Plotin et de saint Augustin" ("Relationship of Greek and Christian thought in Plotinus and St. Augustine"),[11] for his diplôme d'études supérieures (fr) (roughly equivalent to an MA thesis).

Camus joined the French Communist Party in early 1935, seeing it as a way to "fight inequalities between Europeans and 'natives' in Algeria." He did not suggest he was a Marxist or that he had read Das Kapital, but did write, "We might see communism as a springboard and asceticism that prepares the ground for more spiritual activities."[6] In 1936, the independence-minded Algerian Communist Party (PCA) was founded. Camus joined the activities of the Algerian People's Party (Le Parti du Peuple Algérien), which got him into trouble with his Communist party comrades, who in 1937 denounced him as a Trotskyite and expelled him from the party. Camus then became associated with the French anarchist movement.

The anarchist André Prudhommeaux first introduced him at a meeting in 1948 of the Cercle des Étudiants Anarchistes (Anarchist Student Circle) as a sympathiser familiar with anarchist thought. Camus wrote for anarchist publications such as Le Libertaire, La révolution Prolétarienne, and Solidaridad Obrera (Workers' Solidarity), the organ of the anarcho-syndicalist CNT (National Confederation of Labor). Camus stood with the anarchists when they expressed support for the uprising of 1953 in East Germany. He again allied with the anarchists in 1956, first in support of the workers' uprising in Poznań, Poland, and then later in the year with the Hungarian Revolution.

Camus was irreligious.[12][13] “I do not believe in God and I am not an atheist.” ~Notebooks 1951–1959. He told Le Monde in 1956, "I would agree with Benjamin Constant, who thought a lack of religion was vulgar and even hackneyed."[14]

Marriage

In 1934, Camus married Simone Hié, but the marriage ended as a consequence of infidelities on both sides. In 1935, he founded Théâtre du Travail (Worker's Theatre),[15] renamed Théâtre de l'Equipe (Theatre of the Team) in 1937. It lasted until 1939. From 1937 to 1939 he wrote for a socialist paper, Alger-Républicain. His work included a report on the poor conditions for peasants in Kabylie, which apparently cost him his job. From 1939 to 1940, he briefly wrote for a similar paper, Soir-Republicain. He was rejected by the French army because of his tuberculosis.

In 1940, Camus married Francine Faure, a pianist and mathematician. Although he loved her, he had argued passionately against the institution of marriage, dismissing it as unnatural. Even after Francine gave birth to twins, Catherine and Jean, on 5 September 1945, he continued to joke to friends that he was not cut out for marriage.[16] Camus had numerous affairs, particularly an irregular and eventually public affair with the Spanish-born actress María Casares, with whom he had an extensive correspondence.[17][18] In the same year, Camus began to work for Paris-Soir magazine. In the first stage of World War II, during the so-called Phoney War, Camus was a pacifist. While in Lyon during the Wehrmacht occupation, on 15 December 1941, Camus read about the Paris execution of Gabriel Péri;[19] it crystallized his revolt against the Germans. He moved to Bordeaux with the rest of the staff of Paris-Soir. In the same year he finished The Stranger, his first novel, and The Myth of Sisyphus. He returned briefly to Oran, Algeria, in 1942.

Football

Camus was once asked by his friend Charles Poncet which he preferred, football or the theatre. Camus is said to have replied, "Football, without hesitation."[20]

Camus played as goalkeeper for Racing Universitaire d'Alger (RUA won both the North African Champions Cup and the North African Cup twice each in the 1930s) junior team from 1928 to 1930.[21][unreliable source?] The sense of team spirit, fraternity, and common purpose appealed to Camus enormously.[22] In match reports Camus would often attract positive comment for playing with passion and courage. Any football ambitions disappeared when he contracted tuberculosis at the age of 17. The affliction, which was then incurable, caused Camus to be bedridden for long and painful periods.

When Camus was asked in the 1950s by an alumnus sports magazine for a few words regarding his time with the RUA, his response included the following: "After many years during which I saw many things, what I know most surely about morality and the duty of man I owe to sport and learned it in the RUA."[20] Camus was referring to a sort of simplistic morality he wrote about in his early essays, the principle of sticking up for your friends, of valuing bravery and fair-play. Camus's belief was that political and religious authorities try to confuse us with over-complicated moral systems to make things appear more complex than they really are, potentially to serve their own needs.[20]

A professional footballer appears as a character in The Plague and football is discussed in the dialogue.

Revolutionary Union Movement and Europe External video Presentation by Olivier Todd on Albert Camus: A Life, December 15, 1997, C-SPAN

As he wrote in L'Homme révolté (The Rebel), in the chapter about "The Thought on Midday", Camus was a follower of the ancient Greek 'Solar Tradition' (la pensée solaire). In 1947–48, he founded the Revolutionary Union Movement (Groupes de liaison internationale – GLI)[6] a trade union movement in the context of revolutionary syndicalism (Syndicalisme révolutionnaire). According to Olivier Todd, in his biography Albert Camus, une vie, it was a group opposed to some tendencies of the Surrealist movement of André Breton. For more, see the book Alfred Rosmer et le mouvement révolutionnaire international by Christian Gras.

His colleagues were Nicolas Lazarévitch, Louis Mercier, Roger Lapeyre, Paul Chauvet, Auguste Largentier, Jean de Boë (see the article: "Nicolas Lazarévitch, Itinéraire d'un syndicaliste révolutionnaire" by Sylvain Boulouque in the review Communisme, n° 61, 2000). His main aim was to express the positive side of surrealism and existentialism, rejecting the negativity and the nihilism of André Breton.

From 1943, Albert Camus had correspondence with Altiero Spinelli who founded the European Federalist Movement in Milan—see Ventotene Manifesto and the book "Unire l'Europa, superare gli stati", Altiero Spinelli nel Partito d'Azione del Nord Italia e in Francia dal 1944 al 1945-annexed a letter by Altiero Spinelli to Albert Camus.

In 1944, Camus founded the "French Committee for the European Federation" (Comité Français pour la Féderation Européenne – CFFE) declaring that Europe "can only evolve along the path of economic progress, democracy and peace if the nation states become a federation."

From 22 to 25 March 1945, the first conference of the European Federalist Movement was organised in Paris with the participation of Albert Camus, George Orwell, Emmanuel Mounier, Lewis Mumford, André Philip, Daniel Mayer, François Bondy and Altiero Spinelli.[23] This specific branch of the European Federalist Movement disintegrated in 1957 after Winston Churchill's ideas about European integration rose to dominance.

Death

Camus died on 4 January 1960 at the age of 46, in a car accident near Sens, in Le Grand Fossard in the small town of Villeblevin. In his coat pocket was an unused train ticket. He had planned to travel by train with his wife and children, but at the last minute he accepted his publisher's proposal to travel with him.[24]

Albert Camus' gravestone

The driver of the Facel Vega HK500 car, Michel Gallimard (fr), who was Camus' publisher and close friend, died five days after the accident.[25][26] In August 2011, the Milan newspaper Corriere della Sera reported a theory that the writer had been the victim of a Soviet plot, but Camus' biographer, Olivier Todd (fr), did not consider it credible.[27] Camus was buried in the Lourmarin Cemetery, Lourmarin, Vaucluse, France.

He was the second-youngest recipient, at the age of 44, of the Nobel Prize in Literature, after Rudyard Kipling, at the age of 42.[28]

He was survived by his wife and twin son and daughter, Jean and Catherine, who hold the copyrights to his work.

Two of Camus' works were published posthumously. The first, entitled A Happy Death (1970), featured a character named Patrice Mersault, comparable to The Stranger's Meursault. There is scholarly debate as to the relationship between the two books. The second was an unfinished novel, The First Man (1995), which Camus was writing before he died. The novel was an autobiographical work about his childhood in Algeria.

Literary career

The first publication of Camus (co-written by Jeanne-Paule Sicard, Yves Bourgeois and Alfred Poignant, and edited by Edmond Charlot) was Revolte dans les Asturies in May 1936. This concerned a revolt by Spanish miners brutally suppressed by the Spanish government. In May 1937 he wrote his first book L’Envers et l’Endroit – dedicated to Jean Grenier and edited by Charlot.

During the war Camus joined the French Resistance cell Combat, which published an underground newspaper of the same name. This group worked against the Nazis, and in it Camus assumed the nom de guerre Beauchard. Camus became the paper's editor in 1943. He first met Sartre at the dress rehearsal of Sartre's play, The Flies, in June 1943.[29]

When the Allies liberated Paris in August 1944, Camus witnessed and reported the last of the fighting. Soon after the event on 6 August 1945, he was one of the few French editors to publicly express opposition and disgust to the United States' dropping the atomic bombs on Japan. He resigned from Combat in 1947 when it became a commercial paper. After the war, Camus began frequenting the Café de Flore on the Boulevard Saint-Germain in Paris with Sartre and others. He also toured the United States to lecture about French thought. Although he leaned left, politically, his strong criticisms of Communist doctrine did not win him any friends in the Communist parties and eventually alienated Sartre.

In 1949, his tuberculosis returned, whereupon he lived in seclusion for two years. In 1951, he published The Rebel, a philosophical analysis of rebellion and revolution which expressed his rejection of communism. Upsetting many of his colleagues and contemporaries in France, the book brought about the final split with Sartre. The dour reception depressed Camus; he began to translate plays.

Camus's first significant contribution to philosophy was his idea of the absurd. He saw it as the result of our desire for clarity and meaning within a world and condition that offers neither, which he expressed in The Myth of Sisyphus and incorporated into many of his other works, such as The Stranger and The Plague. Despite his split from his "study partner", Sartre, Camus was still categorized as an Existentialist. He specifically rejected that label in his essay "Enigma" and elsewhere.[30] The current confusion arises, in part, because many recent applications of existentialism have much in common with many of Camus's practical ideas (see: Resistance, Rebellion, and Death). But, his personal understanding of the world (e.g., "a benign indifference", in The Stranger), and every vision he had for its progress (e.g., vanquishing the "adolescent furies" of history and society, in The Rebel) undoubtedly set him apart.

In the 1950s, Camus devoted his efforts to human rights. In 1952, he resigned from his work for UNESCO when the UN accepted Spain as a member under the leadership of General Franco. In 1953, he criticized Soviet methods to crush a workers' strike in East Berlin. In 1956, he protested against similar methods in Poland (protests in Poznań) and the Soviet repression of the Hungarian revolution in October.

Camus crowning Stockholm's Lucia on December 13, 1957, three days after accepting the Nobel Prize in Literature

Camus maintained his pacifism and resisted capital punishment anywhere in the world. He wrote an essay against capital punishment in collaboration with Arthur Koestler, the writer, intellectual and founder of the League Against Capital Punishment. He was consistent in his call for non-aggression in Algeria (see below).[31]

From 1955 to 1956, Camus wrote for L'Express. In 1957, he was awarded the Nobel Prize in literature "for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times".

The bronze plaque on the monument to Camus in the town of Villeblevin, France. It reads: "From the General Council of the Yonne Department, in homage to the writer Albert Camus whose remains lay in vigil at the Villeblevin town hall on the night of 4 to 5 January 1960."

Camus remained active and ambitious until the end of his life. Financed by the money he received with his Nobel Prize, he adapted and directed for the stage Dostoyesvsky's Demons. The play opened in January 1959 at the Antoine Theatre in Paris. It was a critical success as well as an artistic and technical tour de force: 33 actors, 4 hours long, 7 sets, 24 scenes.[32] The walls could move sideways to reduce the size of each depicted location and the whole stage rotated to allow for immediate set transformations. Camus put the painter and set decorator Mayo, who had already illustrated several of Camus' novels (The Stranger, 1948 edition), in charge of the demanding task of designing these multiple and complex theater sets.[33]

Algeria The monument to Camus built in Villeblevin, where he died in a car crash on 4 January 1960

Camus once confided that the troubles in Algeria "affected him as others feel pain in their lungs."[34]

In the 1930s, Camus was affiliated with Left-wing groups like the Maison de Culture in Algiers which were highly critical of the French colonial regime's treatment of Algeria's Arab and indigenous inhabitants, supporting the Blum-Viollette proposal to grant Algerians full French citizenship. His 1938 address on "The New Mediterranean Culture" represents Camus' most systematic statement on his views at this time. In 1939, Camus wrote a stinging series of articles for Alger Republicain on the atrocious living conditions of the inhabitants of the Kabylie highlands, advocating for economic, educational and political reforms as a matter of emergency.

In 1945, following the Sétif and Guelma massacre after Arab revolts against French mistreatment, Camus was one of only a few mainland journalists to visit the colony, again writing a series of article reports on conditions, and advocating for French concessions and reforms to the demands of the Algerian people.

When the Algerian War began in 1954, Camus was confronted with a moral dilemma. He identified with the Pieds-Noirs such as his own parents and defended the French government's actions against the revolt. He argued that the Algerian uprising was an integral part of the 'new Arab imperialism' led by Egypt and an 'anti-Western' offensive orchestrated by Russia to 'encircle Europe' and 'isolate the United States'.[35] Although favoring greater Algerian autonomy or even federation, though not full-scale independence, he believed that the Pieds-Noirs and Arabs could co-exist. During the war he advocated a civil truce that would spare the civilians, which was rejected by both sides, who regarded it as foolish. Behind the scenes, he began to work for imprisoned Algerians who faced the death penalty.[36]

When he spoke to students at the University of Stockholm, he defended his apparent inactivity in the Algerian question; he stated that he was worried about what might happen to his mother, who still lived in Algeria. This led to further ostracism by French left-wing intellectuals. At the time of his death, Camus was working on an incomplete novel with a strong biographical component titled The First Man. The publication of this book in 1994 has sparked a widespread reconsideration of Camus' allegedly unrepentant colonialism in the work of figures such as David Carroll in the English-speaking world.[37]

Philosophy Existentialism

As one of the forefathers of existentialism, Camus focused most of his philosophy around existential questions. The absurdity of life and its inevitable ending (death) is highlighted in the very famous opening of the novel The Stranger (1942): "Today mother died. Or maybe yesterday; I can't be sure." This alludes to his claim that life is engrossed by the absurd. He believed that the absurd – life being void of meaning, or man's inability to know that meaning if it were to exist – was something that man should embrace. He argued that this crisis of self could cause a man to commit "philosophical suicide"; choosing to believe in external sources that give life false meaning. He argued that religion was the main culprit. If a man chose to believe in religion – that the meaning of life was to ascend to heaven, or some similar afterlife, that he committed philosophical suicide by trying to escape the absurd.

Absurdism

Many writers have addressed the Absurd, each with his or her own interpretation of what the Absurd is and what comprises its importance. For example, Sartre recognizes the absurdity of individual experience, while Kierkegaard explains that the absurdity of certain religious truths prevents us from reaching God rationally. Camus regretted the continued reference to himself as a "philosopher of the absurd". He showed less interest in the Absurd shortly after publishing Le Mythe de Sisyphe (The Myth of Sisyphus). To distinguish his ideas, scholars sometimes refer to the Paradox of the Absurd, when referring to "Camus' Absurd".[38][citation needed]

His early thoughts appeared in his first collection of essays, L'Envers et l'endroit (Betwixt and Between) in 1937. Absurd themes were expressed with more sophistication in his second collection of essays, Noces (Nuptials), in 1938. In these essays Camus reflects on the experience of the Absurd. In 1942 he published the story of a man living an absurd life as L'Étranger (The Stranger). In the same year he released Le Mythe de Sisyphe (The Myth of Sisyphus), a literary essay on the Absurd. He also wrote a play about Caligula, a Roman Emperor, pursuing an absurd logic. The play was not performed until 1945.

The turning point in Camus's attitude to the Absurd occurs in a collection of four letters to an anonymous German friend, written between July 1943 and July 1944. The first was published in the Revue Libre in 1943, the second in the Cahiers de Libération in 1944, and the third in the newspaper Libertés, in 1945. The four letters were published as Lettres à un ami allemand (Letters to a German Friend) in 1945, and were included in the collection Resistance, Rebellion, and Death.

Ideas on the Absurd This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) (Learn how and when to remove this template message) This section relies too much on references to primary sources. Please improve this section by adding secondary or tertiary sources. (November 2011) (Learn how and when to remove this template message)

Camus presents the reader with dualisms such as happiness and sadness, dark and light, life and death, etc. He emphasizes the fact that happiness is fleeting and that the human condition is one of mortality; for Camus, this is cause for a greater appreciation for life and happiness. In Le Mythe, dualism becomes a paradox: we value our own lives in spite of our mortality and in spite of the universe's silence. While we can live with a dualism (I can accept periods of unhappiness, because I know I will also experience happiness to come), we cannot live with the paradox (I think my life is of great importance, but I also think it is meaningless). In Le Mythe, Camus investigates our experience of the Absurd and asks how we live with it. Our life must have meaning for us to value it. If we accept that life has no meaning and therefore no value, should we kill ourselves?[39]

In Le Mythe, Camus suggests that 'creation of meaning' would entail a logical leap or a kind of philosophical suicide in order to find psychological comfort.[40] But Camus wants to know if he can live with what logic and lucidity have uncovered – if one can build a foundation on what one knows and nothing more. Creation of meaning is not a viable alternative but a logical leap and an evasion of the problem. He gives examples of how others would seem to make this kind of leap. The alternative option, namely suicide, would entail another kind of leap, where one attempts to kill absurdity by destroying one of its terms (the human being). Camus points out, however, that there is no more meaning in death than there is in life, and that it simply evades the problem yet again. Camus concludes that we must instead "entertain" both death and the absurd, while never agreeing to their terms.

Meursault, the absurdist hero of L'Étranger, has killed a man and is scheduled to be executed. Caligula ends up admitting his absurd logic was wrong and is killed by an assassination he has deliberately brought about. However, while Camus possibly suggests that Caligula's absurd reasoning is wrong, the play's anti-hero does get the last word, as the author similarly exalts Meursault's final moments.[41]

Camus made a significant contribution to a viewpoint of the Absurd, and always rejected nihilism as a valid response.

If nothing had any meaning, you would be right. But there is something that still has a meaning. — Second Letter to a German Friend, December 1943.

Camus's understanding of the Absurd promotes public debate; his various offerings entice us to think about the Absurd and offer our own contribution. Concepts such as cooperation, joint effort and solidarity are of key importance to Camus, though they are most likely sources of "relative" versus "absolute" meaning. In The Rebel, Camus identifies rebellion (or rather, the values indicated by rebellion) as a basis for human solidarity.

When he rebels, a man identifies himself with other men and so surpasses himself, and from this point of view human solidarity is metaphysical. But for the moment we are only talking of the kind of solidarity that is born in chains.[42]

The Myth of Sisyphus

Despite his opposition to the label, Camus addressed one of the fundamental questions of existentialism: the problem of suicide.[43] He wrote, "There is only one really serious philosophical question, and that is suicide. Deciding whether or not life is worth living is to answer the fundamental question in philosophy. All other questions follow from that."[44] Camus viewed the question of suicide as arising naturally as a solution to the absurdity of life.[45] In The Myth of Sisyphus, Camus seeks to identify the kinds of life that could be worth living despite their inherent meaninglessness.[45][46]

Views on totalitarianism

Throughout his life, Camus spoke out against and actively opposed totalitarianism in its many forms.[47] Early on, Camus was active within the French Resistance to the German occupation of France during World War II, even directing the famous Resistance journal Combat. On the French collaboration with Nazi occupiers he wrote: "Now the only moral value is courage, which is useful here for judging the puppets and chatterboxes who pretend to speak in the name of the people."[48] After liberation, Camus remarked, "This country does not need a Talleyrand, but a Saint-Just."[49] The reality of the bloody postwar tribunals soon changed his mind: Camus publicly reversed himself and became a lifelong opponent of capital punishment.[49]

Camus's well-known falling out with Sartre is linked to his opposition to communism, which is inherently authoritarian if not totalitarian. Camus detected a reflexive totalitarianism in the mass politics espoused by Sartre in the name of Marxism. This was apparent in his work L'Homme Révolté (The Rebel) which not only was an assault on the Soviet police state, but also questioned the very nature of mass revolutionary politics and ideas. Camus continued to speak out against the atrocities of the Soviet Union, a sentiment captured in his 1957 speech The Blood of the Hungarians, commemorating the anniversary of the 1956 Hungarian Revolution, an uprising crushed in a bloody assault by the Red Army.

Philhellenism, debts to Greek classical thought Albert Camus appealed to Queen Elizabeth II for mercy for Michalis Karaolis Cypriot President Tassos Papadopoulos (left) receives from Nasos Ktorides the letter Camus wrote concerning Karaolis.

One further important, often neglected component of Camus' philosophical and literary persona was his love of classical Greek thought and literature, or philhellenism. This love looks back to his youthful encounters with Friedrich Nietzsche, his teacher Jean Grenier, and his own sense of a "Mediterranean" identity, based in a common experience of sunshine, beaches, and living in proximity to the near-Eastern world.[50] Camus' Diplomes thesis (roughly like an MA thesis in most anglophone countries) was on the transition between classical Greek and Roman, and Christian culture, featuring chapters on the early Church, gnosticism, Plotinus and Saint Augustine's "second revelation", bringing Greek philosophical conceptuality to Christian revelation.[51] Camus' early essay collection Noces (Nuptials) features essays set amidst classical Roman ruins; as the Myth of Sisyphus and The Rebel (which takes as its hero Prometheus) both are rooted in Camus' classical paideia. The culmination of the latter work defends a "midday thought" based in classical moderation or mesure, in opposition to the tendency of modern political ideologies to exclusively valorise race or class, and to dream of a total redemptive revolution. Camus' conception of classical moderation also has deep roots in his lifelong love of Greek tragic theatre, about which he gave an intriguing address in Athens in 1956.[52] He appealed to Queen Elizabeth II for mercy for the young Greek anti-colonial freedom fighter Michalis Karaolis, from Kypros (Chypre, Zypern), who was sentenced to death in 1956.[53] Camus's letter was acquired at auction by Nasos Ktorides and donated to the National Struggle Museum in Nicosia.[54]

Works Novels
  • The Stranger (L'Étranger, often translated as The Outsider) (1942)
  • The Plague (La Peste) (1947)
  • The Fall (La Chute) (1956)
  • A Happy Death (La Mort heureuse) (written 1936–38, published posthumously 1971)
  • The First Man (Le premier homme) (incomplete, published posthumously 1995)
Short stories
  • Exile and the Kingdom (L'exil et le royaume) (collection, 1957), containing the following short stories:
    • "The Adulterous Woman" (La Femme adultère)
    • "The Renegade or a Confused Spirit" (Le Renégat ou un esprit confus)
    • "The Silent Men" (Les Muets)
    • "The Guest" (L'Hôte)
    • "Jonas or the Artist at Work" (Jonas ou l’artiste au travail)
    • "The Growing Stone" (La Pierre qui pousse)
Non-fiction books
  • Christian Metaphysics and Neoplatonism (1935)
  • Betwixt and Between (L'envers et l'endroit, also translated as The Wrong Side and the Right Side) (collection, 1937)
  • Nuptials (Noces) (1938)
  • The Myth of Sisyphus (Le Mythe de Sisyphe) (1942)
  • The Rebel (L'Homme révolté) (1951)
  • Notebooks 1935–1942 (Carnets, mai 1935 —fevrier 1942) (1962)
  • Notebooks 1943–1951 (1965)
  • Notebooks 1951–1959 (2008). Published as Carnets Tome III : Mars 1951 – December 1959 (1989)
  • Algerian Chronicles (2013)[55][56][57]
  • Albert Camus, Maria Casarès. Correspondance inédite (1944-1959) Avant-propos de Catherine Camus (2017)[58]
Plays
  • Caligula (performed 1945, written 1938)
  • The Misunderstanding (Le Malentendu) (1944)
  • The State of Siege (L'État de Siège) (1948)
  • The Just Assassins (Les Justes) (1949)
  • Requiem for a Nun (Requiem pour une nonne, adapted from William Faulkner's novel by the same name) (1956)
  • The Possessed (Les Possédés, adapted from Fyodor Dostoyevsky's novel Demons) (1959)
Essays
  • The Crisis of Man (Lecture at Columbia University) (28 March 1946)[59]
  • Neither Victims Nor Executioners (Series of essays in Combat) (1946)
  • Why Spain? (Essay for the theatrical play L' Etat de Siège) (1948)
  • The Ancient Greek Tragedy (Parnassos lecture in Greece) (1956)
  • Reflections on the Guillotine (Réflexions sur la guillotine) (Extended essay, 1957)
  • Create Dangerously (Essay on Realism and Artistic Creation, lecture at the University of Uppsala in Sweden) (1957)
Collected essays
  • Resistance, Rebellion, and Death (1961) – a collection of essays selected by the author, including the 1945 Lettres à un ami allemand (Letters to a German Friend) and A Defense of Intelligence, a 1945 speech given at a meeting organized by Amitié Française[60]
  • Lyrical and Critical Essays (1970)
  • Youthful Writings (1976)
  • Between Hell and Reason: Essays from the Resistance Newspaper "Combat", 1944–1947 (1991)
  • Camus at "Combat": Writing 1944–1947 (2005)
  • Albert Camus Contre la Peine de Mort (2011)
References
  1. ^ Michel Onfray. L'ordre Libertaire: La vie philosophique de Albert Camus. Flammarion. 2012.
  2. ^ "Camus". Random House Webster's Unabridged Dictionary.
  3. ^ "The Nobel Prize in Literature 1957". Nobelprize.org. 7 October 2010. Archived from the original on 8 October 2010. Retrieved 7 October 2010..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"\"""\"""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
  4. ^ Solomon, Robert C. (2001). From Rationalism to Existentialism: The Existentialists and Their Nineteenth Century Backgrounds. Rowman and Littlefield. p. 245. ISBN 0-7425-1241-X.
  5. ^ Les Nouvelles littéraires, 15 November 1945
  6. ^ a b c Todd, Olivier (2000). Albert Camus: A Life. Carroll & Graf. pp. 249–250. ISBN 978-0-7867-0739-3.
  7. ^ Todd, Olivier (2000). Albert Camus: A Life. Carroll & Graf. p. 250. ISBN 978-0-7867-0739-3.
  8. ^ "Albert Camus — Britannica Online Encyclopedia". Britannica.com. Archived from the original on 5 October 2009. Retrieved 17 October 2009.
  9. ^ Lottman 1979, p.11
  10. ^ His death is confirmed in the article 'The Master of the Absurd Turns 100', in the September/October 2013 issue of Philosophy Now magazine. The article can be accessed here
  11. ^ Alan D. Schrift (2006), Twentieth-Century French Philosophy: Key Themes And Thinkers, Blackwell Publishing, p. 109.
  12. ^ David Simpson writes that Camus affirmed "a defiantly atheistic creed." Albert Camus (1913–1960), The Internet Encyclopedia of Philosophy, 2006. Retrieved 14 June 2007.
  13. ^ Haught, James A. (1996). 2,000 Years of Disbelief: Famous People with the Courage to Doubt. Prometheus Books. pp. 261–262. ISBN 1-57392-067-3.
  14. ^ Todd, Olivier. "Albert Camus: A Life". Google Books. Retrieved January 17, 2018.
  15. ^ "Albert Camus: Biography, Books and Facts". FamousAuthors.org. Retrieved 23 February 2012.
  16. ^ Stephen C. Small. "Albert Camus (1913-1960)". Retrieved 20 November 2015.
  17. ^ LaCava, Stephanie (11 April 2018). "Illicit Love Letters: Albert Camus and Maria Casares". The Paris Review. Retrieved 13 April 2018.
  18. ^ Zaretsky, Robert (March 4, 2018). "'No Longer the Person I Was': The Dazzling Correspondence of Albert Camus and Maria Casarès". Los Angeles Review of Books. Retrieved 13 April 2018.
  19. ^ Foley, John (5 December 2014). Albert Camus: From the Absurd to Revolt. Routledge. p. 186 citation 51. ISBN 9781317492719. 51 The passage quoted concludes with the following: "And, to be precise, I recall the day when the waves of revolt within me reached their climax. It was a morning, in Lyon, and I had just read in the newspaper of the execution of Gabriel Péri" (first reply to d’Astier, "Où est la mystification?", June 1948, E: 355-6). Gabriel Peri was a leader of the French Communist Party, executed by the Nazis in December 1941. Cf. Tarrou's account of the death penalty in TP.
  20. ^ a b c "Albert Camus and football". The Albert Camus Society of the UK. Archived from the original on 8 July 2017. Retrieved 15 November 2010.
  21. ^ "General: Yan!! Camus". RedHotPawn.com. Retrieved 20 November 2015.
  22. ^ "Ashley Lattal's Paper: Albert Camus". Users.muohio.edu. Retrieved 17 October 2009.
  23. ^ See the book The Biography of Europe by Pan Drakopoulos.
  24. ^ "KIAD MA in Fine Art: a student run seminar". Raimes.com. Archived from the original on 13 May 2009. Retrieved 17 October 2009.
  25. ^ Bayley, Stephen. "Albert Camus' Crash". Archived from the original on 2 December 2013. Retrieved 5 October 2015.
  26. ^ de Gaudemar, Antoine (16 April 1994). This one's had a good start born in the middle of a move. Guardian. UK. Retrieved 21 December 2008.
  27. ^ Willsher, Kim, "Albert Camus might have been killed by the KGB for criticising the Soviet Union, claims newspaper", The Observer, 7 August 2011.
  28. ^ Lennon, Peter (15 October 1997). Camus and His Women. Guardian. UK. Archived from the original on 7 December 2008. Retrieved 1 December 2008.
  29. ^ The Prime of Life (fr), by Simone de Beauvoir.
  30. ^ See: The Lyrical and Critical Essays of Albert Camus
  31. ^ Messud, Claire (23 October 2013). "Camus & Algeria: The Moral Question". The New York Review of Books. Rea S. Hederman.
  32. ^ Yeatman-Eiffel, Evelyne (2012). Mayo. France: mayo-peintre.com. p. 154.
  33. ^ Yeatman-Eiffel, Evelyne (2012). Mayo. France: mayo-peintre.com. p. 155.
  34. ^ "Algerian Chronicles — Albert Camus | Harvard University Press". www.hup.harvard.edu. Retrieved 3 August 2016.
  35. ^ Actuelles III: Chroniques Algeriennes, 1939–58
  36. ^ Foley, John (5 December 2014). Albert Camus: From the Absurd to Revolt. Routledge. p. 161. ISBN 9781317492719. Retrieved 21 August 2015.
  37. ^ Carroll, David (4 May 2007). Albert Camus the Algerian: Colonialism, Terrorism, Justice. Columbia University Press. ISBN 9780231511766.
  38. ^ Curtis, Jerry L. (1 August 1972). "The absurdity of rebellion". Man and World. 5 (3): 335–348. doi:10.1007/bf01248640. ISSN 0025-1534.
  39. ^ Camus, Albert (1955) . The Myth of Sisyphus and Other Essays. New York: Vintage Books. pp. 3–8.
  40. ^ Camus, Albert (1955) . The Myth of Sisyphus and Other Essays. New York: Vintage Books. pp. 21–48.
  41. ^ Camus, Albert (1958) . Caligula and Three Other Plays. New York: Vintage Books. p. 74.
  42. ^ Camus, Albert (1956). The Rebel: An Essay on Man in Revolt. New York: Vintage Books. p. 17.
  43. ^ "Stanford Encyclopedia of Philosophy: Albert Camus".
  44. ^ Camus, Albert. The Myth of Sisyphus. p. 3.
  45. ^ a b "Stanford Encyclopedia of Philosophy".
  46. ^ Bryan, Van. "The Myth of Sisyphus: Lessons in Absurdity". Ancient Origins. Retrieved 31 March 2018.
  47. ^ "Interview with Catherine Camus". Spikemagazine.com. 22 February 1999. Retrieved 17 October 2009.
  48. ^ "In Camus's notebooks and letters, as quoted in, 'Albert Camus: A Life', By Olivier Todd". The New York Times. Archived from the original on 10 May 2006. Retrieved 17 October 2009.
  49. ^ a b Stephen Eric Bronner (15 September 2009). Camus: Portrait of a Moralist. University of Chicago Press. p. 74. ISBN 978-0-226-07567-9. Retrieved 3 September 2011.
  50. ^ Akritas, John (8 March 2010). "Hellenic Antidote: Albert Camus: The New Mediterranean Culture". Hellenic Antidote. Retrieved 3 August 2016.
  51. ^ Camus, Albert; Brague, Rémi (20 January 2015). Christian Metaphysics and Neoplatonism (1st ed.). St. Augustines Press. ISBN 9781587311147.
  52. ^ "Lecture on the Future of Tragedy : Kevin Artigue". kevinartigue.com. Archived from the original on 15 August 2016. Retrieved 3 August 2016.
  53. ^ Demetra Demetriou The pleiade in Cyprus: French authors and the island of Aphrodite p.303
  54. ^ "Remembering Karaolis - a historical document by Albert Camus", Financial Mirror, 28 March 2017]
  55. ^ Harvard University Press, (ISBN 978-0674072589)
  56. ^ James Campbell, "Betwixt and Between" (review), Wall Street Journal, 3 May 2013.
  57. ^ Resistance, Rebellion, and Writing, by George Scialabba - bookforum.com April / May 2013
  58. ^ Marlowe, Lara (25 November 2017). "Albert Camus's sizzling letters to one of his three lovers". The Irish Times. Retrieved 13 April 2018.
  59. ^ The Human Crisis - Albert Camus Lecture at scribd.com.
  60. ^ Orme, Mark (2007). The Development of Albert Camus's Concern for Social and Political Justice, Fairleigh Dickinson University Press, ISBN 0838641105
Further reading Selected biographies
  • Philip Malcolm Waller Thody, Albert Camus: A Study of His Work (1957) (OCLC 342101)
  • Germaine Brée, Camus (1959) (ISBN 1-122-01570-4)
  • Jean-Claude Brisville, Camus (1959) (ISBN 9782070210367)
  • Emmett Parker, Albert Camus: The Artist in the Arena (1965) (OCLC 342770)
  • Adele King, Camus (1966) (ISBN 0-05-001423-4)
  • Vicente de Paulo Barretto, Camus: vida e obra (1970)
  • Herbert R. Lottman, Albert Camus: A Biography (1979) (ISBN 3-927258-06-7)
  • Patrick McCarthy, Camus: A Critical Study of His Life and Work (1982) (ISBN 978-0241106037)
  • David Sprintzen, "Camus: A Critical Examination" (1988) (ISBN 0-87722-544-3)
  • Manuel Vázquez Montalbán, Willi Glasauer, Scenes from World Literature and Portraits of Greatest Authors (1988) (Círculo de Lectores)
  • Adele King, Camus's "L'Étranger": Fifty Years On (1992) (ISBN 978-0333532942)
  • André Comte-Sponville, Laurent Bove, Patrick Renou, Camus : de l'absurde à l'amour : lettres inédites d'Albert Camus (1995) (ISBN 9782909096414)
  • Alain Vircondelet / Photographies : collection Catherine et Jean Camus, Albert Camus: vérité et légendes (1998) (ISBN 9782842771089)
  • Stephen Eric Bronner, "Camus: Portrait of a Moralist" (1999) (ISBN 0-81663283-9)
  • Howard E. Mumma, Albert Camus and the Minister (2000) (ISBN 1-55725-246-7)
  • Olivier Todd, Albert Camus: A Life (2000) (ISBN 0-7867-0739-9)
  • Neil Helms, Harold Bloom, Albert Camus - Bloom's BioCritiques (2003) (ISBN 9780791073810)
  • Pierre-Louis Rey, Camus: L'homme révolté (2006) (ISBN 9782070318285)
  • Elizabeth Hawes, Camus: A Romance (2009) (ISBN 9780802118899)
  • Catherine Camus, Albert Camus : solitaire et solidaire (2009) (ISBN 9782749910871)
  • Robert Zaretsky, Albert Camus: Elements of a Life (2010) (ISBN 9780801479076)
  • Virgil Tănase, Camus (2010) (ISBN 9782070344321)
  • Catherine Camus (avec la collaboration d'Alexandre Alajbegovic et de Béatrice Vaillant), Le monde en partage: Itinéraires d'Albert Camus (2013) (ISBN 9782070140947)
  • Sean B. Carroll (2014). Brave Genius: A Scientist, a Philosopher, and Their Daring Adventures from the French Resistance to the Nobel Prize. Broadway Books. ISBN 978-0307952349.
  • Heiner Wittmann, Albert Camus: Kunst und Moral (ISBN 3-631-39525-6)
  • Robert Zaretsky, A Life Worth Living: Albert Camus and the Quest for Meaning (ISBN 9780674724761)
External links
  • Fonds Albert Camus - Cité du livre d'Aix en Provence
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  • Albert Camus. Selective and Cumulative Bibliography
  • Société des Études Camusiennes
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  • Works by Albert Camus at Faded Page (Canada)
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  • Camus, BBC Radio 4 discussion with Peter Dunwoodie, David Walker & Christina Howells (In Our Time, Jan. 3, 2008)
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Works by Albert CamusNovels
  • The Stranger
  • The Plague
  • The Fall
  • A Happy Death
  • The First Man
Short stories
  • Exile and the Kingdom
    • "The Adulterous Woman"
    • "The Renegade"
    • "The Silent Men"
    • "The Guest"
    • "The Artist at Work"
    • "The Growing Stone"
Plays
  • Caligula
  • The Misunderstanding
  • The State of Siege
  • The Just Assassins
  • The Possessed
Essays
  • The Myth of Sisyphus
  • The Rebel
  • "Reflections on the Guillotine"
  • Resistance, Rebellion, and Death
  • Summer in Algiers
Non-fiction
  • Betwixt and Between
  • Neither Victims nor Executioners
  • Notebooks 1935–1942
  • Notebooks 1943–1951
  • Nuptials
Articles related to Albert Camus
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Albert Camus's The Stranger (1942)Film adaptations
  • The Stranger
  • Fate
Retelling
  • The Meursault Investigation
Other
  • "Killing an Arab"
  • A Happy Death
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Laureates of the Nobel Prize in Literature1901–1925
  • 1901 Sully Prudhomme
  • 1902 Theodor Mommsen
  • 1903 Bjørnstjerne Bjørnson
  • 1904 Frédéric Mistral / José Echegaray
  • 1905 Henryk Sienkiewicz
  • 1906 Giosuè Carducci
  • 1907 Rudyard Kipling
  • 1908 Rudolf Eucken
  • 1909 Selma Lagerlöf
  • 1910 Paul Heyse
  • 1911 Maurice Maeterlinck
  • 1912 Gerhart Hauptmann
  • 1913 Rabindranath Tagore
  • 1914
  • 1915 Romain Rolland
  • 1916 Verner von Heidenstam
  • 1917 Karl Gjellerup / Henrik Pontoppidan
  • 1918
  • 1919 Carl Spitteler
  • 1920 Knut Hamsun
  • 1921 Anatole France
  • 1922 Jacinto Benavente
  • 1923 W. B. Yeats
  • 1924 Władysław Reymont
  • 1925 George Bernard Shaw
1926–1950
  • 1926 Grazia Deledda
  • 1927 Henri Bergson
  • 1928 Sigrid Undset
  • 1929 Thomas Mann
  • 1930 Sinclair Lewis
  • 1931 Erik Axel Karlfeldt
  • 1932 John Galsworthy
  • 1933 Ivan Bunin
  • 1934 Luigi Pirandello
  • 1935
  • 1936 Eugene O'Neill
  • 1937 Roger Martin du Gard
  • 1938 Pearl S. Buck
  • 1939 Frans Eemil Sillanpää
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  • 1944 Johannes V. Jensen
  • 1945 Gabriela Mistral
  • 1946 Hermann Hesse
  • 1947 André Gide
  • 1948 T. S. Eliot
  • 1949 William Faulkner
  • 1950 Bertrand Russell
1951–1975
  • 1951 Pär Lagerkvist
  • 1952 François Mauriac
  • 1953 Winston Churchill
  • 1954 Ernest Hemingway
  • 1955 Halldór Laxness
  • 1956 Juan Ramón Jiménez
  • 1957 Albert Camus
  • 1958 Boris Pasternak
  • 1959 Salvatore Quasimodo
  • 1960 Saint-John Perse
  • 1961 Ivo Andrić
  • 1962 John Steinbeck
  • 1963 Giorgos Seferis
  • 1964 Jean-Paul Sartre (declined award)
  • 1965 Mikhail Sholokhov
  • 1966 Shmuel Yosef Agnon / Nelly Sachs
  • 1967 Miguel Ángel Asturias
  • 1968 Yasunari Kawabata
  • 1969 Samuel Beckett
  • 1970 Aleksandr Solzhenitsyn
  • 1971 Pablo Neruda
  • 1972 Heinrich Böll
  • 1973 Patrick White
  • 1974 Eyvind Johnson / Harry Martinson
  • 1975 Eugenio Montale
1976–2000
  • 1976 Saul Bellow
  • 1977 Vicente Aleixandre
  • 1978 Isaac Bashevis Singer
  • 1979 Odysseas Elytis
  • 1980 Czesław Miłosz
  • 1981 Elias Canetti
  • 1982 Gabriel García Márquez
  • 1983 William Golding
  • 1984 Jaroslav Seifert
  • 1985 Claude Simon
  • 1986 Wole Soyinka
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  • 1988 Naguib Mahfouz
  • 1989 Camilo José Cela
  • 1990 Octavio Paz
  • 1991 Nadine Gordimer
  • 1992 Derek Walcott
  • 1993 Toni Morrison
  • 1994 Kenzaburō Ōe
  • 1995 Seamus Heaney
  • 1996 Wisława Szymborska
  • 1997 Dario Fo
  • 1998 José Saramago
  • 1999 Günter Grass
  • 2000 Gao Xingjian
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  • 2001 V. S. Naipaul
  • 2002 Imre Kertész
  • 2003 J. M. Coetzee
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  • 20181
1: New Academy Prize in Literature awarded to Maryse Condé in lieu of 2018 Nobel Prize
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    The Stranger
    The Stranger
    Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in 1946; now in a new translation by Matthew Ward.

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    The Plague, The Fall, Exile and the Kingdom, and Selected Essays (Everyman's Library)
    The Plague, The Fall, Exile and the Kingdom, and Selected Essays (Everyman's Library)
    (Book Jacket Status: Jacketed)From one of the most brilliant and influential thinkers of the twentieth century–two novels, six short stories, and a pair of essays in a single volume. In both his essays and his fiction, Albert Camus (1913—1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning.The Plague–written in 1947 and still profoundly relevant–is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters–from a renegade missionary to an adulterous wife –at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought.

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    The Plague
    The Plague
    A haunting tale of human resilience in the face of unrelieved horror, Camus' novel about a bubonic plague ravaging the people of a North African coastal town is a classic of twentieth-century literature.

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    The Myth of Sisyphus And Other Essays (Vintage International)
    The Myth of Sisyphus And Other Essays (Vintage International)
    One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

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    The Rebel: An Essay on Man in Revolt
    The Rebel: An Essay on Man in Revolt
    By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny. As old regimes throughout the world collapse, The Rebel resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times.Translated from the French by Anthony Bower.

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    The Fall
    The Fall
    Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

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    A Life Worth Living: Albert Camus and the Quest for Meaning
    A Life Worth Living: Albert Camus and the Quest for Meaning
    Exploring themes that preoccupied Albert Camus--absurdity, silence, revolt, fidelity, and moderation--Robert Zaretsky portrays a moralist who refused to be fooled by the nobler names we assign to our actions, and who pushed himself, and those about him, to challenge the status quo. For Camus, rebellion against injustice is the human condition.

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    A Happy Death
    A Happy Death
    In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time.Translated from the French by Richard Howard

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    The First Man
    The First Man
    Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. Published thirty-five years after its discovery amid the wreckage of the car accident that killed Camus, The First Man is the brilliant consummation of the life and work of one of the 20th century's greatest novelists. Translated from the French by David Hapgood."The First Man is perhaps the most honest book Camus ever wrote, and the most sensual...Camus is...writing at the depth of his powers...It is a work of genius."--The New Yorker"Fascinating...The First Man helps put all of Camus's work into a clearer perspective and brings into relief what separates him from the more militant literary personalities of his day...Camus's voice has never been more personal."--New York Times Book Review

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