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At Least for Now
At Least for Now is the debut studio album by English musician, singer, and poet Benjamin Clementine. It was recorded after Clementine gained critical

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2015 studio album by Benjamin ClementineAt Least for NowStudio album by Benjamin ClementineReleasedMarch 30, 2015RecordedMay - August, 2014StudioRak Studios, LondonGenreRock opera, spoken word, classical, chamber pop, art popLength50:50LanguageEnglishLabelVirgin EMIProducerBenjamin Clementine, Jonathan QuarmbyBenjamin Clementine British chronology Cornerstone EP, Glorious You EP
(2013) At Least for Now
(2015) I Tell a Fly
(2017) Singles from At Least for Now
  1. "Nemesis"
    Released: January 12, 2015

At Least for Now is the debut studio album by English musician, singer, and poet Benjamin Clementine. It was recorded after Clementine gained critical acclaim with his two previous EPs.[1] Clementine returned to London in the new year to record his album, just as his career was starting to take off. He moved to Kensington High Street with a friend he'd met in Tuscany then went back to Edmonton for a period of time until At Least for Now was completed.[2] The album won the 2015 Mercury Music Prize.[3]

  • 1 Album cover
  • 2 Critical reception
    • 2.1 Accolades
  • 3 Track listing
  • 4 Personnel
  • 5 References
Album cover

Reviewer Calum Bradbury-Sparvell described the cover, noting, "Clementine stands in a shadowy profile with a Granny Smith cupped in his right hand, as if the Magritte's Son Of Man had finally plucked the offending fruit from his face, but promptly swiveled away from the limelight. An appropriate symbol for this debut LP, during which the mythos of the Edmonton-raised Métro busker, who went from sleeping rough to impressing Macca in a barefoot Later With Jools Holland performance, dissipates only to reveal something more inscrutable: a stranger in a trench coat."[4]

Critical reception Professional ratingsAggregate scoresSourceRatingAnyDecentMusic?7.4/10[5]Metacritic75/100[6]Review scoresSourceRatingAllMusic[7]The Observer[8]The Independent[9]The Wall Street Journal[10]The National[11]PopMatters7/10[12]QThe Guardian[13]

Behind released At Least for Now in Europe on February 13, 2015. It reached the iTunes Top 10 in Italy, Holland, Switzerland, Belgium, Luxembourg, Poland and Greece. In France, it went number 1, and has been certified Gold. The album was also well received by music critics, who praised its mixture of genres and uniqueness.

Phil Mongredien from the guardian said that Clementine’s tumultuous back story (a strict Christian childhood in London, a spell living rough in Paris and busking on the Métro) had given him plenty of fascinating source material from which to craft his songs. His resulting debut album is bold, brave, beautiful, and at times quite brilliant. Clementine cites Anohni as a formative influence, and certainly there are vocal similarities. But for the most part these piano-led songs sound unique. The lonely despair of Cornerstone and the arresting lyricism of Condolence signalling an exciting new talent.[14] Nake Chinen from The New York Times, said that as for Clementine's actual voice, it’s a strange and frequently stunning instrument, a blade like tenor that can swoop into either a clarion cry or a guttural scowl. The inevitable comparison, notably on a song like "Adios", is to Nina Simone — to her demonstrative clarity of phrase, and the flickering incandescence of her timbre.[15] AllMusic's Timothy Monger said that At Least for Now makes its case as a one-man show for piano and voice. The compelling British singer/songwriter is dramatic, self-assured, and theatrical in the extreme, boasting a powerful voice that swells to fill the room, which, on this unique record, seems to expand and shrink at the drop of a hat. At Least for Now is a pop record of sorts, but completely on his own terms, and like Anohni (an acknowledged influence) and Rufus Wainwright, two artists who have similar aspirations of pseudo-classical grandeur, Clementine will no doubt be polarizing for many listeners. There is no question, however, of his raw talent, poeticism, and knack for beguiling melodies, and in this oversaturated market, the true mavericks will always rise above the din.[7]

Critics, however, also found At Least for Now to be the least memorable of Clementine's studio releases. According to Dave Simpson, it was the least impressive from Clementine as it is reminiscent of Kevin Rowland in that he sounds as if he is singing from the gut, and because he has to. If only he had a Rowlands’ economy: mannered vocal flourishes complicate the melodies when what’s needed is simplicity. The addition of syrupy strings and pedestrian drumming further dilutes the impact of his raw talent. However, when he performs unadorned, melodies dripping from his fingertips, and expressing himself, his voice is difficult to forget.[16]

Accolades Publication Accolade Year Rank The Guardian The Best Albums of 2015 2015 40[17] Track listing

All tracks are written by Benjamin Clementine.

No.TitleLength1."Winston Churchill's Boy"5:372."Then I Heard a Bachelor's Cry"5:083."London"4:014."Adios"4:175."St-Clementine-on-Tea-and-Croissants"1:126."Nemesis"5:047."The People and I"5:168."Condolence"6:309."Cornerstone"4:3110."Quiver a Little"4:4211."Gone"4:32Total length:50:50 Titre BonusNo.TitleLength12."Curriculum Vitæ"3:53Total length:54:43 At Least for .nobold{font-weight:normal} – iTunes Store US standard version (bonus tracks)[18]No.TitleLength12."Edmonton"4:5313."Mathematics"3:08Total length:58:51 At Least for Now (Deluxe) – (bonus tracks)[19]No.TitleLength12."The Movies Never Lie (Demo Version)"3:5813."Pound Sterling"4:3414."Riverman (Live BBC Radio 2)"3:3915."London (Live France Inter)"4:03Total length:67:04 Personnel
  • Benjamin Clementine – vocals, piano, keyboard, percussion, foot stamping on "St-Clementine-on-Tea-and-Croissants"
  • Alexis Brossard – drums
  • Manu Sauvage –bass guitar, keyboard bass
  • Jonathan Quarmby - bass guitar on Quiver a Little
  • Benjamin Clementine – producer,
  • Jonathan Quarmby – chief engineer
  • Engineers – Richard Woodcraft
  • Recorded at: RAK Studios, London, England except the track "Adios", recorded in Paris at Marlon B Studios
  • Cover design – Benjamin Clementine, Akatre, based on The Son of Man painting by René Magritte (front)
  • Photography – Akatre (France inner portrait)
  1. ^ Quine, Oscar (30 March 2015). "Benjamin Clementine: From barefoot busking in Paris to being compared with Nina Simone". The Independent. Retrieved 12 May cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//")no-repeat;background-position:right .1em center}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//")no-repeat;background-position:right .1em center}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
  2. ^ Tim Lewis (2014-08-09). "Benjamin Clementine: the barefoot troubadour who speaks his mind". the Guardian.
  3. ^ "Mercury Prize 2015 shortlist". BBC. Retrieved 2015-10-16.
  4. ^ "The Quietus - Reviews - Benjamin Clementine". The Quietus.
  5. ^ "Benjamin Clementine: At Least For Now". AnyDecentMusic?. Retrieved 12 June 2018.
  6. ^ "Reviews for At Least for Now by Benjamin Clementine". Metacritic. Retrieved 2016-02-21.
  7. ^ a b Timothy Monger (2015-01-12). "At Least for Now - Benjamin Clementine | Songs, Reviews, Credits". AllMusic. Retrieved 2015-10-05.
  8. ^ Christgau, Robert (December 2005). "Back Catalogue: Jimi Hendrix". Blender. New York. Retrieved January 16, 2013.
  9. ^ Andy Gill (2014-01-11). "Album reviews: Lincoln Durham, Boy & Bear, Run The Jewels, Benjamin Clementine, Howe Gelb | Reviews | Culture". The Independent. Retrieved 2015-10-05.
  10. ^ Down Beat (August): 61. 1997.CS1 maint: untitled periodical (link)
  11. ^ "Album review: Clementine's first studio album is loud and proud | The National". 2015-08-03. Retrieved 2015-10-05.
  12. ^ "Benjamin Clementine: At Least for Now". PopMatters. Retrieved 2015-10-05.
  13. ^ Phil Mongredien. "Benjamin Clementine: At Least for Now review – at times quite brilliant | Music". The Guardian. Retrieved 2015-10-05.
  14. ^ Phil Mongredien. "Benjamin Clementine: At Least for Now review – at times quite brilliant". the Guardian.
  15. ^
  16. ^ Dave Simpson. "Benjamin Clementine: At Least for Now review – fascinating but flawed debut". the Guardian.
  17. ^ "The Best Albums of 2015". The Guardian. Guardian News and Media. December 2, 2015. Retrieved December 14, 2015.
  18. ^ "iTunes – Music – At Least For Now by Benjamin Clementine". iTunes Store (US). 31 July 2015. Retrieved 20 November 2015.
  19. ^ "iTunes – Music – At Least For Now (Deluxe) by Benjamin Clementine". iTunes Store (GB). 23 October 2015. Retrieved 20 November 2015.



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