Martin Limón’s series set in 1970s South Korea, an era of heightened Korean sociopolitical tension, pits Army CID agents Sueño and Bascom against a mysterious woman who may be the leader of a gang—or a thousand-year-old creature.Three American GIs have gone missing in different South Korean cities. Sergeants George Sueño and Ernie Bascom, agents for the Army CID, link the disappearances to a woman locally rumored to be a gumiho, a legendary thousand-year-old nine-tailed fox disguised as a woman. George suspects that the woman is no mythical creature, but a criminal who’s good at covering her tracks. Meanwhile, George and Ernie are caught in a power struggle between two high-ranking women in the 8th Army. Scrambling to appease his boss and stay one step ahead of a psychotic mastermind, George realizes he will have to risk his life to discover the whereabouts of his fellow countrymen.
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From National Book Award and National Book Critics Circle Award finalist Ada Limón comes The Carrying―her most powerful collection yet. Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility―“What if, instead of carrying / a child, I am supposed to carry grief?”―and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.” In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”―“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display―even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.
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