Reefer Madness1972 theatrical release posterDirected byLouis J. GasnierProduced by
Reefer Madness (originally made as Tell Your Children and sometimes titled as The Burning Question, Dope Addict, Doped Youth, and Love Madness) is a 1936 American film about drugs revolving around the melodramatic events that ensue when high-school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness from marijuana addiction. The film was directed by Louis J. Gasnier and featured a cast of mainly little-known actors.
Originally financed by a church group under the title Tell Your Children, the film was intended to be shown to parents as a morality tale attempting to teach them about the dangers of cannabis use. But soon after the film was shot, it was purchased by producer Dwain Esper, who re-cut the film for distribution on the exploitation film circuit, exploiting vulgar interest while escaping censorship under the guise of moral guidance, beginning in 1938–1939 through the 1940s and 1950s.
The film was "rediscovered" in the early 1970s and gained new life as an unintentional satire among advocates of cannabis policy reform. However, critics have called it one of the worst films ever made. Today, it is in the public domain in the United States.Contents
Mae Coleman and Jack Perry are a cohabitating couple to who sell marijuana. The unscrupulous Jack sells it to teenagers over Mae's objections; she'd rather stick to adult clientele. Ralph Wiley, a sociopathic college dropout-turned-dealer, and siren Blanche help Jack recruit new customers. Ralph and Jack lure high-schoolers Bill Harper and Jimmy Lane to Mae and Jack's apartment. Jimmy takes Bill to a party where Jack runs out of reefer and Jimmy, who has a car, drives him to pick up more. When they get to Jack's boss' "headquarters," Jimmy asks for a cigarette as Jack gets out and he gives him a joint. By the time Jack returns, Jimmy is unknowingly high; he drives away recklessly and hits a pedestrian. A few days later, Jack tells Jimmy that the man died of his injuries and agrees to keep Jimmy's name out of the case--if Jimmy will agree to "forget he was ever in Mae's apartment." As the police did not have enough specific details to track Jimmy down, he indeed escapes punishment.Ralph is arrested for Jack's murder.
Bill, whose once-pristine record at school has rapidly declined, has a fling with Blanche while high. Mary, Jimmy's sister and Bill's girlfriend, goes to Mae's apartment looking for Jimmy and accepts a joint from Ralph, thinking it's a regular cigarette. When she refuses Ralph's advances, he tries to rape her. Bill comes out of the bedroom and, still high, attacks Ralph. As the two are fighting, Jack knocks Bill unconscious with the butt of his gun, which inadvertently fires, killing Mary. Jack puts the gun in Bill's hand, framing him for Mary's death by claiming he blacked out. The dealers lie low for a while in Blanche's apartment while Bill's trial takes place. Over the objections of a skeptical juror, Bill is found guilty.
By now Ralph is paranoid from both marijuana and his guilty conscience. Blanche is also high; at one memorable point she plays the piano more and more rapidly as Ralph eggs her on. The boss tells Jack to shoot Ralph to prevent him from confessing, but when Jack arrives, Ralph immediately recognizes him and beats him to death with a stick as Blanche laughs uncontrollably in terror. The police arrest Ralph, Mae, and Blanche. Mae's confession leads to the boss and other gang members also being arrested. Blanche explains that Bill was innocent and agrees to serve as a material witness for the case against Ralph. Instead, she jumps out a window and falls to her death, traumatized by her own adultery and its role in Mary's death. Bill's conviction is overturned, and Ralph, now nearly catatonic, is sent to an asylum for the criminally insane "for the rest of his natural life."
The film's story is told in bracketing sequences at a lecture given at a Parent Teacher Association meeting by high-school principal Dr. Alfred Carroll. At the film's end he tells the parents he has been told that events similar to those he has described are likely to happen again, then points to random parents in the audience and warns that "the next tragedy may be that of your daughter...or your son...or yours or yours..." before pointing straight at the camera and saying emphatically "..or YOURS!" as the words "TELL YOUR CHILDREN" appear on the screen.Cast Play media Reefer Madness Play media Reefer Madness, 1938 release
In 1936 or 1938, Tell Your Children was financed and made by a church group and intended to be shown to parents as a morality tale attempting to teach them about the dangers of cannabis use. It was originally produced by George Hirliman; however, some time after the film was made, it was purchased by exploitation filmmaker Dwain Esper, who inserted salacious shots. In 1938 or 1939, Esper began distributing it on the exploitation circuit where it was originally released in at least four territories, each with their own title for the film: the first territory to screen it was the South, where it went by Tell Your Children (1938 or 1939). West of Denver, Colorado, the film was generally known as Doped Youth (1940). In New England, it was known as Reefer Madness (1940 or 1947), while in the Pennsylvania/West Virginia territory it was called The Burning Question (1940). The film was then screened all over the country during the 1940s under these various titles and Albert Dezel of Detroit eventually bought all rights in 1951 for use in roadshow screenings throughout the 1950s.
Such education-exploitation films were common in the years following adoption of the stricter version of the Production Code in 1934. Other films included Esper's own earlier Marihuana (1936) and Elmer Clifton's Assassin of Youth (1937) and the subject of cannabis was particularly popular in the hysteria surrounding Anslinger's 1937 Marihuana Tax Act.
The concept of after-market films in film distribution had not yet been developed, especially for films that existed outside the confines of the studio system, and were therefore considered "forbidden fruit." For this reason, neither Esper nor original producer George Hirliman bothered to protect the film's copyright; it thus had an improper copyright notice invalidating the copyright. Over 30 years later, in the spring of 1972, the founder of NORML, Keith Stroup, found a copy of the film in the Library of Congress archives and bought a print for $297. As part of a fundraising campaign, NORML showed Reefer Madness on college campuses up and down California, asking a $1 donation for admission and raising $16,000 toward support for the California Marijuana Initiative, a political group that sought to legalize marijuana in the 1972 fall elections. Robert Shaye of New Line Cinema eventually heard about the underground hit and went to see it at the Bleecker Street Cinema. He noticed the film carried an improper copyright notice and realized it was in the public domain. Seeking material for New Line's college circuit, he was able to obtain an original copy from a collector and began distributing the film nationally, "making a small fortune for New Line."Reception This section needs expansion. You can help by adding to it. (October 2017)
Reefer Madness is considered to be a cult classic and one of the most popular examples of a midnight movie. Its fans enjoy the film for the same unintentionally campy production values that made it a hit in the 1970s.
The review aggregation website Rotten Tomatoes reported a 42% approval rating with an average rating of 4.4/10 based on 26 reviews. However, Metacritic assigned a score of 70 out of 100, based on 4 critics, indicating "generally favorable reviews".
The Los Angeles Times has claimed that Reefer Madness was the first film that a generation embraced as "the worst." Leonard Maltin has called it "the granddaddy of all 'Worst' movies." Las Vegas CityLife named it the "worst ever" runner-up to Plan 9 from Outer Space, and AMC described it as "one of the worst movies ever made."Adaptations
Sean Abley's stage adaptation, Reefer Madness, ran for a year in Chicago in 1992, and had one showing in 1993 as well.
American rock band Mötley Crüe featured a couple of clips from the film in the video for their song "Smoke the Sky" from their self-titled 1994 album. The song’s lyrics deal with marijuana use.
The film was spoofed in the 1998 musical Reefer Madness (1998), which was later made into the television film Reefer Madness (2005), which featured actors Alan Cumming, Kristen Bell, Christian Campbell and Ana Gasteyer.A scene from the colorized version of the film.
In 2004, 20th Century Fox, in collaboration with Legend Films, released a colorized version on DVD. The original release date was April 20, 2004, a reference to the drug slang term "420". Also during the film, the number "4" and then "20" is flashed very quickly (as a joke on subliminal messages), which is an effect added by Legend Films. It features intentionally unrealistic color schemes that add to the film's campy humor. The smoke from the "marihuana" was made to appear green, blue, orange and purple, each person's colored smoke representing their mood and the different "levels of 'addiction'". The DVD also included a short film called Grandpa's Marijuana Handbook; a new trailer for Reefer Madness produced by Legend Films; and two audio commentaries: one discussing the color design and the other being a comedic commentary by Michael J. Nelson, formerly of Mystery Science Theater 3000 fame.
Legend owns the copyright to the colorized version. While most have praised it for its campy treatment of the cult film, some viewers claimed that the color choices would better suit a film about LSD than a film about cannabis.
In May 2018, Angry Demon Productions out of Detroit, Michigan, in collaboration with LegacyVerse Productions from Sandusky, Ohio, started filming a low-budget remake under the original working title Tell Your Children. While most of the film has been modernized a bit through cell phones and laptops instead of desk rotary phones and filing cabinets (as examples), this remake still has about 75% scene for scene and use of original dialog with deliberate liberal use of overacting and campy humor. It also implements a selective color technique similar to that of Sin City by Robert Rodriguez. It is still yet to be released, although they have stated the film was finished in May 2019.See also